With a
facility filled with the most vicious offenders in the federal prison
system, there are few criteria for evaluating the performance of its
management.
How many
successfully escape... and what are the incidences of violence involving
guards and other staff. That is all. There are no other performance
measures.
All other
benchmarks... inmate health... rate of recidivism... inmate death
rate... inmate complaints... are superfluous.
With the type
of criminals incarcerated at Lockwood Penitentiary, no one cares about
the well being of the so called ‘residents’. Protecting society is the
goal... the only goal.
And under
Warden Laura Davidson’s tutelage, the small drab institution, located in
the remotest area of
Colorado,
is rated as the most effective at protecting society. Thus it receives
the most violent and the most incorrigible of prisoners.
In order to
earn a stay at Lockwood, a prisoner must have been sentenced to a life
term and have, at some point in his term of incarceration, committed an
act of violence against a guard or other prison official. Only the truly
truculent arrive. And as Laura Davidson smugly suggests to newcomers,
only the truly dead leave. The Lockwood facility is for those who are
never eligible for parole. The only escape from Lockwood is in a coffin.
So with Laura
Davidson’s exemplary record... no escapes... no reported incidences of
violence... success is left to its own devices. How such a record is
achieved, none care to learn. In the minds of the high ranking officials
at the Bureau of Prisons, to send a recalcitrant inmate to Lockwood is
akin to permanently solving potential problems. He is never heard from
again.
As a result,
few questions are asked. For example, no official file or document
highlights the fact that every member of Laura Davidson’s phalanx of
guards is female. No one questions the unusual purchase orders for
expensive custom made stainless steel restraint devices... the constant
purchase and delivery of batteries for the cattle prods. No one notices
the paucity of orders for prison uniforms...
“Sign here
and he’s yours,” a rugged federal marshal of considerable stature pushes
forth a clipboard. His sense of relief is palpable. He has transported
the notorious ‘day care bomber’ some fifteen hundred miles without
incident. Despite the ineluctable bonds used and the weaponry at his
disposal, separating himself from the vicious killer is akin to ridding
himself of a heavy load. The five guards accompanying him, standing by
with loaded shotguns, feel the same.
He disguises
his amazement in encountering the sang froid of the woman who signs for
possession of the well shackled demon. Spending three days on the road
with the psychopath was bad. This woman will have him for a lifetime.
And the contrast is striking. The scruffy prisoner... forcibly hunched
in his bonds, three days growth of facial hair, bad prison haircut...
appears to be more animal than human, chained as he is. The woman, on
the other hand, is a true beauty, dressed not in a uniform but a smartly
cut business suit. Golden hair well coifed, lively blue eyes, manicured
nails, pleasingly even features; she could be an influential executive
secretary for a Fortune 500 company. But instead, she stands in a
chamber of concrete dealing with Earth’s lowest life forms.
“Be very
careful, ma’am,” the marshal suggests most condescendingly.
Laura
Davidson smiles demurely.
“Oh, I think
we can handle him. We’ll make him very happy. We have some girls here
who very much enjoy cleaning, cooking, and bringing a man his pipe and
slippers at days end... the keys please.”
The flippant
remarks, humorously ironic in Laura Davidson’s mind, bring a look of
both concern and confusion to the imposing marshal. He is aware of
Lockwood’s exemplary reputation and record. Could it be that the envied
results are truly due to some misappropriated level of care? That the
prisoners do not attempt escape or commit violent acts because they are
coddled?
He does not
intend to stay and find out.
Keys which
fit the half dozen cuffs and locks are surrendered. Such secure the many
feet of chains encircling the limbs and torso of the most hated man in
the country... the psychopathic killer of dozens of children. The
marshal gestures to his squad. They depart the receiving area without
further exchange, relieved to be freed of their obligation.
The heavy
steel door, the only portal to the outside world, clanks shut.
“Welcome to
Lockwood, John Dullsworth Tubbs,” Laura formally announces with
solemnity. “I am Warden Laura Davidson, and this is your new home...
your last home.”
She smiles in
imparting the ominous notion to the vicious killer that he has made his
final trip, seen the outside world for the last time. John Dullsworth
Tubbs remains silent, a typical reaction of the truly evil...
threatening with diabolical looks and disturbing reticence.
Laura nods to
guards standing at the ready.
“Some
housekeeping chores before you’re taken to the Indoctrination Chamber.”
A uniformed
woman of notable brawn places a heavy box at the feet of the well
trussed prisoner. It is the guard known as Gloria... Miss Gloria to the
fifty inmates of Lockwood Penitentiary.
“Miss Gloria
is going to prepare you. We enjoy a certain look among the inmates, and
we have our own system of restraint here at Lockwood. Our own way of
doing things. I trust you won’t find such too confining...”
Laura laughs
with her own pun as Miss Gloria works. The worn shackles are slid
towards the elbows providing space for broad, smooth bands of shiny
steel which are placed around each wrist and then snapped shut. The
milling and machining are precise. When closed, no seam can be detected,
and no hinges can be detected without the closest of inspections.
“I’m sure you
were curious as to why you were given a full body scan and measured so
carefully. Now you know.”
Yes, weeks
before his transfer, a sedated John Dullsworth Tubbs spent nearly an
hour in a magnetic resonance imaging machine. As a result, there was
forwarded to Lockwood a host of data which was passed along to, among
others, the high tech foundry which makes the metal bands. There,
computer controlled milling machines worked to create restraints which
fit the various anatomical parts of John Dullsworth Tubbs to within
tenths of millimeters.
The dour
guard slips up the pant legs of the denim prison garb. The old fashioned
ankle shackles are slid towards the knees and similar bands are enclosed
around the ankles. John Dullsworth Tubbs finds that though snug, the
smoothly polished inner surfaces make the bands most comfortable. But
for the notable weight, the adornments can barely be felt.
“Internal
spring locks, Mr. John Dullsworth Tubbs. Once the bands are closed,
there is no way to remove them other then by blow torch. Very annoying
for the prison undertaker.”
Laura smiles
as she detects a slight shudder from John Dullsworth Tubbs. Like most
psychopathic killers, he has difficulty contemplating his own death, as
if meting finality to others makes himself invulnerable to the grim
reaper.
“And I think
you’ll find your new jewelry to be comfortable. We’ve learned that
comfort can be a very important aspect of long term bondage.”
John
Dullsworth Tubbs stares at the alluring warden. His hate is palpable.
Her calm, cool good looks make his immobility even more unbearable. He
pictures her beautiful flesh ripping open after she opens her desk
drawer to discover one of his clever home made bombs. For her, he would
program a delay in the trigger... just enough time so that there would
be cognizance over the horror of pending death... but not enough time to
avoid it.
‘Boom...’ He
must stifle a smile as he hears the explosion in his mind and feels his
imaginary hand stroking himself, bringing forth the bizarre combination
of death and ejaculatory climax which has driven his life of serial
killing.
Miss Gloria
stoops to retrieve a larger circle of metal from the box. It is the neck
collar for John Dullsworth Tubbs. She has spent enough time around
psychotic killers to know to avoid his mouth. Biting is always a threat
even with the most well bound prisoner. She steps behind the hunched
form, working to avoid potential contact with incisors, which can be the
last effective weapon of the criminally violent.
Her hands
work quickly. As with the other finely crafted circles of metal, the
open collar closes with remarkable precision and with the sound of a
firm click. To the attending staff of women, the sound has a satisfying
finality.
“Collared...
just like a dog,” Laura taunts, heightening her tone of mockery.
There comes a
ceremonial pause. Two other female guards, standing at the ready but not
proximate enough to draw attention, step closer. Each holds a cattle
prod.
“We’ll need
to remove all those nasty restraints in order to adorn you properly. But
first, a little introduction to how we encourage good behavior.”
Laura nods to
the guards. Each steps forward and casually points the only weapon
permitted within the Lockwood Penitentiary facilities... specially
designed electric prods... designed for use on cattle.
“I’m sure
you’ve seen such devices. It’s best you also experience a little feel.”
With a nod,
the two guards point the prods and, most casually, touch his right arm
and left and gently press the triggers. John Dullsworth Tubbs makes his
first sound at Lockwood. It is a pitiful cry of agony, bringing a smile
to his newest adversary, she who will occupy his mind with unending
plots for an explosive demise.
“A low
setting. The prods can completely incapacitate when desired,” Laura
calmly explains.
A stoic John
Dullsworth Tubbs slowly sinks to his knees, involuntarily genuflecting
to a woman he has quickly come to despise and more quickly than all the
mothers to whom he sought to bring the ultimate grief with his
diabolical incendiary devices.
The cattle
prod bearing guards step away in a practiced choreograph. Miss Gloria
approaches with a larger box. With the new arrival remaining stunned
from the instantaneous charges, Laura steps forth and gruffly captures
an ear in each hand. She rarely touches a prisoner but knows that one
initial controlling grasp can aid in instilling a lifetime of servitude.
Yes, there will come hate... but there will also come respect and
fear... as intended.
To add to the
ignominy of being brought to his knees by a cadre of women, John
Dullsworth Tubbs must endure the secure yet oddly tender grip on his
ears. The perfume of his captor invades his nose. He finds that the
woman smells as good as she looks; her controlling hands transmitting a
message of knowing authority. It is apparent that he is not the first
vicious offender she has brazenly touched... demonstrating her intrepid
governance.
“Now for our
signature piece. It will feel a bit awkward at first. But you’ll have
plenty of time to become accustomed to it.”
From the
large box is extracted a four foot length of equally smooth and shiny
stainless steel. In the center, there is a hole, the inner edge is
grooved and large enough to accommodate the collar encircling the neck
of John Dullsworth Tubbs. The guard bends the length to open the hole at
the center and quickly places the four foot length over the shoulders of
the stunned prisoner. She instantly straightens the thick bar and the
opening closes around the permanent neck collar. There comes another
click as some type of clasp secures the opening. The device is heavy,
weighing many pounds.
“You’ll be
heartened to know that the Martin Rigid Stock is not a permanent
fixture, Mr. Tubbs. You’ll be able to earn a respite from it. But, for
now, we like the mobility of our new arrivals to be completely limited.”
The keys
acquired from the shot gun bearing posse are used to unlock the more
conventional wrist shackles, ankle shackles, and accompanying chains.
Metal loops at each end of the Martin Rigid Stock are pried open. The
kneeling prisoner realizes that such will soon encapsulate his wrist
bands.
“Now, be a
good boy for us and lift your arms up and away from your shoulders. I
think you know where I want your wrists, and I should remind you that
there are well charged batteries in those prods.”
Realizing
that the team of women has successfully garnished dozens of prisoners
with the curious system of restraint, having felt the unbearable jolt of
the cattle prods, John Dullsworth Tubbs, vicious killer of dozens,
slowly lifts his hands in somber compliance. The knowing Miss Gloria
quickly inserts right wrist band and then left into the openings. The
bands fit perfectly within the circumference of the rounded metal
openings. With a click and another click, the vicious killer finds his
wrist bands encapsulated just as is his neck collar... within the
grooved circular apertures of the Martin Rigid Stock.
The length of
the stock is perfect. With arms held well out to the sides, the biceps
of the prisoner are horizontal to the floor. The elbows are bent at
ninety degrees, and the forearms point straight up to the ceiling.
Hands, forced to uselessness, rest atop the four foot length at the
level of his face. The awkward posture insures a good degree of
practical bondage with a tinge of humiliation in being forced to assume
such a humbling stature.
Miss Gloria
adds another metal piece, seemingly as an after thought. A slim but
sturdy bar of steel is clipped to the right ankle band and then the
left, connecting the prisoner’s feet.
Laura
releases her grip and tenderly pats the top of his head.
“Such a good
boy. You’ll find that you can somewhat twist your wrists, arms, and
head. You’ll walk a little funny with that spreader bar. And, of course,
there will be no kicking. But otherwise, any further mobility must be
earned.”
Laura steps
back. Little does John Dullsworth Tubbs realize, the brief, brusque, and
unorthodox feel of her fingers, resolute hands using his ears as
handles, is the first and final occasion of experiencing her touch.
“He’s all
yours, ladies,” Laura declares with a gleeful smile.
Such
unexpected wickedness from a woman who ostensibly represents law and
order. The guards who wielded cattle prods now approach with small tools
in hand. Is that a cackle being suppressed?
“Box cutters,
Mr. Tubbs. We have not found any tool more practical for the function
required.”
The hapless
John Dullsworth Tubbs, one time gruesome killer, now kneels while women
of purpose slash away. And the object of their flailing hands? His
prison uniform... the sole remaining possession representing a system of
incarceration from which John Dullsworth Tubbs has been banished. He is
now at Lockwood... and will exist under the rules of Warden Laura
Davidson.
There ensues
a frightful interlude. Razor sharp blades cut and tear. John Dullsworth
Tubbs startled at first, helplessly watches as heavy denim is shredded
to meaningless strips of cloth... no longer useful as covering... not
even useful as rags.
“Say goodbye,
Mr. Tubbs. It’s the last vestige of covering for you. We prefer out
inmates naked and vulnerable.”
With all
elements of the tattered uniform removed, John Dullsworth Tubbs kneels
completely naked before his new captor. For Warden Laura Davidson, it is
a glorious scene of male supplication. She feels a twinge within her
loins as Miss Gloria reaches for the final bands.
There come
two more clicks as the thighs, right and left, are encircled with
similar bands just above the knee.
John
Dullsworth Tubbs glares at his new found adversary. His thoughts run
rampart. Perhaps he will fuck her before binding hands and feet and
inserting a stick of dynamite into her vagina. A slow burning fuse
placed near her clitoris should provide delicious moments for terrified
thought and contrition...
“Make the
genital ring nice and tight, Gloria. I find his look amusing... but he
needs to be humbled.”
One last
finely crafted piece of steel is drawn from the box. It is another band
but with a metal post threaded through the circumference. There are also
holes drilled within the perimeter for purposes unknown. Miss Gloria
twists and the tip of the post intersects the circumference and slowly
invades the inner diameter of the band, as a bolt works its way through
a nut.
“You’re going
to feel pressure where a man feels things the most, Mr. John Dullsworth
Tubbs. From that recent magnetic imaging body scan, we were able to
ascertain the measurements of your most intimate anatomy. And the
adjustable post makes is impossible to slide off.”
Miss Gloria,
smiling for the first time, stoops and abruptly gathers in her left hand
the male package of the newly arrived prisoner. In her right is the
band, and she tugs with her left, deftly encircling the base of the
penis and testicles. The band snaps closed with an authoritative click.
It is tight, yet the finely milled inner surface does not abrade. The
tip of the adjustable post can be felt just under the ball sac.
“Feel like
someone is holding your balls? Some prisoners refer to the genital ring
as the long hand of Warden Davidson, Mr. Tubbs. Over time you may come
to think of it in the same manner.”
|
Laura
Davidson: Keeper of Men by Chris Bellows
Reviewed by
JW
For Chris Bellows fans, Laura
Davidson, Keeper of Men is a real treat, and quite a bargain
since it is actually two stories within the same book. As
advertised, the book details the transfer of two notorious felons to
the infamous and secretive Lockwood Prison where they experience the
program of attitude adjustment devised by Warden Laura Davidson.
However, alternating with these chapters throughout the book is a
back story of Laura Davidson’s formative years, when she honed her
skills with two male peers. If the reader is looking for detailed
accounts of extreme bondage in unique and innovative systems of
restraint, the author provides plenty in the chapters about
Lockwood. Laura Davidson’s program is intense and unforgiving to
the unfortunates who have earned her attention. On the other hand,
each chapter about Laura Davidson’s formative years reflects, in her
words, her use of more “subtle yet thorough” methods of control.
The author accurately captures the psychological as well as the
physical details of Laura Davidson’s interactions with her partners,
and does it so well that these chapters come across as a factual
narrative rather than fiction.
In a series of chapters called
“The Early Years,” Laura takes clever advantage of Tom during the
summer after they graduate from high school, and the narrative is
continuous with each subsequent chapter picking up where the
previous one left off. Then, in “The College Years” she meets and
begins training Jim near the end of their freshman year. For those
who enjoy the fantasy (or reality) of this type of relationship, the
author’s narrative makes it easy to imagine oneself in the
“victim’s” predicaments.
On first reading this reader
found himself skipping over the chapters about Lockwood Prison, and
going directly from one “Early Years” and “College Years” chapter to
the next. As the Lockwood portion of the book explains, Laura’s
husband, Jim, is the same young man she met and ensnared in her
freshman year in college. However, this narrative ends after their
first few “sessions” and a subsequent summer internship. This
reader found himself hoping that Mr. Bellows’ next book might expand
on that aspect of Laura’s life, covering in detail some of the
adventures she and Jim had through the rest of their college career.
Reviewed by Hub Dub
In Mr. Bellows latest work,
we get to watch as Miss Laura Davidson grows from a spoiled high
school girl, accustomed to getting her way with everyone she
meets, to the capable and mature warden of Lockwood
Penitentiary, the nation’s most ultri-high security prison. As
a young lady, we get to watch as she learns the art of
controlling and manipulating the submissive male. With the help
of an older and more experienced friend, she becomes a quite
accomplished young domme. By the time she leaves for college,
she is ready to captivate and train her own boy. Her freshmen
year, she meets Jim, who becomes her willing and lifelong
servant. After college, she eventually becomes warden of
Lockwood Penitentiary. There, she exerts complete control over
the nation’s most notorious and incorrigible prisoners.
Mr. Bellows sets the story at Lockwood with
flashbacks to Miss Laura’s earlier life that help explain how
she came to be warden at the nation’s highest security prison.
I particularly enjoyed these views of Miss Davidson’s high
school and college years. These contained scenes of dominance
and control, humiliation, and orgasm denial. I enjoy stories
where a dominant lady learns her craft and submissive men learn
their place. Mr. Bellows does a good job incorporating both
aspects in the flashback portions of this story. During the
portion of the narrative set in the prison, we get to enjoy a
sort of vicarious sense of justice as the most vicious and
aggressively cruel criminals are transformed into harmless
geldings, content to live their remaining years in captivity for
the amusement of the female prison staff.
|
Email the author: Chris_Bellows@hotmail.com