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The
Property by Alexander Kelly
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below! 11/9/05
Copyrighted © 2001, all rights reserved.
Total darkness. Not because my cell light is off and it’s nighttime
outside, but due to the large blindfold that covers half my face. Dinner
was finished two hours ago and Ms. Lynn brought me back to my cell. I
was allowed a rest, then she returned to dress me in a basic uniform.
She made all the straps extra tight, particularly the one for the
crotch. No dildos or butt plugs but a thick, long penis gag was shoved
in my mouth. Ms. Lynn sat me on the cot and zipped up my boots with
their familiar four-inch heels…
The door shuts and absolute silence reigns. Then, soft music plays, a
harp and flute. I had no idea the dungeon was wired for a sound system
since no one had used it before. The gentle strains float down from
speakers above.
There is movement in the room but no one touches me. A couple of heavy
things are dragged about, but no words are spoken. Where are they, the
ones who will take control of me? Those who would rescue me from the
isolating night and mold my sexual soul as they see fit? I take a
hesitant step forward and instantly am met by a whip across my breasts.
I cringe and squeal and back up.
A soft click and a quiet hum. Something heavy is being lifted up from
the floor. A chain creaks as whatever it is slowly swings back and
forth.
“Let’s see those beautiful, dark eyes.” It is Gwen. The blindfold
comes off and I blink in the sudden glare.
Toward the back wall, slightly to my right, hangs Bree. Parallel to the
floor, about eye level, she is suspended from a sturdy wood frame that
reminds me of a gigantic puppeteer’s cross. The cross is suspended by
four steel cables that meet at an apex about three feet above Bree’s
waist. From there a single large cable disappears through a hole in the
ceiling. Her splayed hands and feet are cuffed to four screweyes. Her
chest, hips and legs are supported by strong straps. Unlike the poor
slave Mr. Lange suspended by her arms, Bree’s strain is minimal. She
can hang there for hours. What’s more, she can be moved to any height,
to kiss, to service, or to be impaled from behind.
Dylan forces the largest ring gag I’ve ever seen past Bree’s lips. I
think for sure her jaw will be dislocated but her wide mouth manages to
accept it. He places a thin strap under her chin, then back up around
the main support pole, thus giving her head some support. “Now you
just hang there. Maybe you’ll learn something.”
“Leave her,” Gwen snaps. “Help me unwrap our little beauty
here.”
Dylan gives Bree a small push and she lazily turns. He blows her a kiss,
then stands beside Gwen.
They are both dressed in spotless white leather. Dylan’s pants and
vest seem to meld into one. His dark hair is loose, longer than
Gwen’s, falling well past his shoulders. His bare arms are smooth; no
hair, no scars or tattoos. Gwen’s complexion matches Dylan’s;
unsullied, immaculate. Below her short skirt, well shaped legs are
sheathed in white stockings, balanced on a pair of white high heels.
Above her narrow waist a halter top shows a hint of cleavage. A mole on
her right breast provides small relief from her skin tone. Gwen’s hair
is pulled up in a French twist, revealing an elegant neck.
I had always thought of white as a submissive’s color, an empty canvas
ready to be painted upon by the master. Yet, on Dylan and Gwen it
projects power. A pair of deities come to earth to frolic among the
mortals, take their sport, then return to the heavens.
The gods take my arms and lead me to the whipping post. My body harness
is removed, my hands tied overhead to the large ring. I am stretched
until my heels are off the floor and I teeter on the sharp pointed toes
of the boots.
Dylan unbuckles my gag. “Time to get rid of this. I know what I want
to hear, and it isn’t muffled screams.” He makes me lick and suck
the dildo until all my saliva is back in my mouth, then the warm up
begins. They both hit me with heavy floggers, up and down my back, ass,
legs and even my arms. I tense against the initial blows but the steady
rhythm they adopt relaxes me. I feel good all over, in a warm, safe
place.
The intensity of the blows increases, each one pushes me a little higher
on my personal pain index and my reactions accordingly follow. I pass
into the “uh” stage where every separate blade on the flogger is a
wonderful tool bruising my skin. My spirit rises with the pain and I am
back in the safe place.
Now only one flogger strikes me and I accustom myself to the new
cadence. It teases me out of the safe place with promises of new heights
and I can’t help but follow. I climb the mountainside …
My pain pushes me onward, at the same time a friend and an enemy. Long
ago I left the safe spot. My pain is always with me. The flogger
explodes across my back and I yelp. I hear a satisfied grunt from behind
me and the flogger feeds my pain, giving it more strength to push me
further. I cry out, my pitch increasing with each dreaded, loving
stroke.
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The Property by Alexander Kelly
Reviewed by John Velder (c) 2005
The Property follows the slave Kristen
as she joins a secret society, removed from the outside world. In this
society, she is a piece of property. That is all she is. She is kept
in a cell and carefully, methodically trained and conditoned to be
pleasing in every way to her Masters. She learns the positions they
want her to learn; positions of openness and availability. She is
trained in the social graces they require. And she is punished when she
makes mistakes. Kristen does well in this situation; eventually becoming
the concubine of the head Master of the society. Debra, another slave,
initially jealous, warms to Kristen. But Debra is being punished; a
long term. She has a secret.
Kristen, meanwhile, has become a mentor
to another slave—a young woman named Bree. Bree's owners are a
professional couple, often away. They often cannot pay attention to her
the way her needs require. Kristen is assigned to mentor Bree. It's too
good to last. Debra's secret drives Kristen away from the walled
society. She is brought back, and punished—long term, like Debra once
was. She fights with everything she has. Eventually, a man she comes
to call The Executioner comes to deal with her—The Executioner is
merciless, pitiless, but oddly warm and gentle—and safe. Yes. The
Executioner is consistent and gives her the safety she craves so much.
But her fighting is too much, and she is given the one thing she cannot
deal with—her freedom. She wants to be a slave, but the society has
washed its hands of her. In the end, it is only the Executioner who can
save her—for he too has a secret.
Lots of great erotic scenes. I
am a lover of descriptions of erotic clothing, and the descriptions of
the flowing white gowns that Kristen wears while out to dinner with her
Master are very great...the opening scene, that of the two
attendants “dressing” her in preparation to be used by the woman she
calls “Red Silk” is simply delightful. The erotic interplay between
Kristen and the woman-child Bree is amazing—definitely passes the pants
test. And the discovery of the secret of the Executioner...and why
people seem to associate him with Kristen even when she herself doesn't
understand the association...it's powerful readubg. The use of secrets
in this book is just very well done, for both of the main secrets are
integral to the plot; they are not add ons.
For that is one of the strong points
of this book—it actually has good plotting. It's an erotic story.
So many authors of erotica don't understand how to weave erotica into an
actual story. Alexander Kelly seems to. He does a nice job.
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